136017_Verpan-Wire-Floor-Lamp-Chrome-Orange_02_1600x_e384d995-b752-43ff-89be-699e962744b8.jpg Wire Floor Lamp by Verner Panton in chrome and orange, an open wire cage under a domed shade
on September 20, 2026

Wire Table Lamp Ø30 vs Ø40 vs Wire Floor Lamp: How to Choose

Verner Panton's Wire lamps all rest on one idea, an open chrome cage carrying a white dome, which makes choosing between the sizes harder than it first appears. What separates them is not the look but the height, the footprint and where the light finally lands. This comparison sets the Wire Table Lamp, the Wire Table Lamp Ø40, the Wire Floor Lamp and the cordless Wire Ø18 Portable Lamp against each other, and matches each one to a place in a real room.

The cage, the reflector and the shadows on the wall

The Wire design dates from 1972 and belongs to the strand of Panton's work that occupied him longest: open geometric structures, frames that describe a volume without filling it. Instead of a solid body you get chrome-plated steel rod welded into a cone that flares upward and carries a white hemispherical shade at the top. Switched off, the lamp is closer to a line drawing than to an object, and the eye travels straight through it to whatever stands behind.

The light behaves in the same indirect way. A small metal reflector sits inside and throws the output of the bulb upward, so the shade fills with a diffused glow rather than presenting a bright point to the room. Nothing glares, and the surface underneath the lamp stays calm.

Then there is the part no product photograph shows. Because the frame is mostly air, light leaving the lamp passes between the rods and prints them on everything nearby. Set a Wire lamp close to a plain pale wall and you get a tight fan of fine lines radiating outward from the base; move it further into the room and the same pattern opens, softens and loses its edges. Treat that as part of the design rather than a side effect. In front of a bookcase or a busy wallpaper the effect disappears, while the same lamp a hand's width from a smooth painted wall turns that wall into a second, much larger part of the composition.

Wire Table Lamp in chrome-plated steel with a white hemispherical shade on an open wire frame
The Wire Table Lamp: a chrome-plated steel cage flaring up to a white plastic dome.

The four Wire lamps side by side

  Wire Table Lamp Wire Table Lamp Ø40 Wire Floor Lamp Wire Ø18 Portable Lamp
Footprint 300 x 300 mm 400 x 400 mm 400 x 400 mm Ø18 cm
Height 420 mm 540 mm 1200 mm 25 cm
Weight 4 kg 5 kg 8.3 kg Not stated
Frame and shade Chrome-plated steel, white plastic shade Chrome-plated steel, white plastic shade Chrome-plated steel, white plastic shade Chrome-plated stainless-steel wire, opal plastic shade and diffuser
Colours Chrome/White, Chrome/Yellow, Chrome/Red, Chrome/Orange Chrome/White, Chrome/Orange Chrome/White, Chrome/Orange White, Yellow, Orange, Red
Light source Mains, internal reflector Mains, internal reflector Mains, internal reflector Built-in rechargeable LED
Designer and year Verner Panton, Wire series 1972 Verner Panton, Wire series 1972 Verner Panton, Wire series 1972 Verner Panton, Wire series 1972
Best for Bedside table, desk Console, sideboard Reading corner, beside a sofa Carrying from table to windowsill

Wire Table Lamp: bedside tables and desks

The smallest mains-powered Wire measures 300 mm wide and deep, stands 420 mm high and weighs 4 kg. Those are bedside table proportions. On a night stand the reflected, glare-free light is soft enough for the last pages of a book, and because the shade sends its glow upward rather than sideways, the person on the other side of the bed is not lit in the face. The 4 kg weight also means the Wire Table Lamp stays where you put it when you reach past it in the dark.

On a desk it earns its keep for a different reason. A shade 300 mm across would normally close in a working surface, but a frame you can see through does not, so the lamp reads as character rather than clutter. This is also the only Wire offered in four frame-and-shade combinations: Chrome/White, Chrome/Yellow, Chrome/Red and Chrome/Orange. If you want a small piece of Panton colour in a room that is otherwise quiet, this is the size that gives you the widest choice.

Wire Table Lamp Ø40: consoles and sideboards

Move up to 400 mm across and 540 mm high, at 5 kg, and the lamp stops being an accessory and becomes the object you notice on entering. The Wire Table Lamp Ø40 wants a surface with room to spare: a console behind a sofa, a sideboard along a hallway, a wide chest of drawers. Crowd it with picture frames and vases and the frame stops reading as open structure, which is the whole point of the design.

It is also the size where the shadow play is easiest to enjoy, because the pattern scales with the cage. A console standing against a free wall gives the lines somewhere to fall, and in a small flat that is genuinely useful: one object doing the work of a lamp, a sculpture and a wall treatment at once. The Ø40 comes in Chrome/White and Chrome/Orange.

Wire Table Lamp Ø40 in chrome and white standing on a console in a furnished interior
At 400 mm across, the Ø40 is the size that asks for a console or a sideboard of its own.

Wire Floor Lamp: the reading corner

The Wire Floor Lamp keeps the same 400 mm footprint as the Ø40 but rises to 1200 mm and weighs 8.3 kg. That height puts the shade well above the arm of a sofa, so light arrives from above and spreads across the seat instead of hitting a cushion. Beside a reading chair it does the job of a proper reading lamp without the visual mass one usually brings, since a column of thin chrome rod takes up almost no space in the eye even though it occupies a 400 mm square on the floor.

The extra weight matters here. At 8.3 kg the base is planted, which is what you want from a tall lamp standing next to a chair people get out of quickly. Choose this one when the corner you are lighting has no free surface at all, or when you want height in a room where every table is already spoken for. Like the Ø40, it is made in Chrome/White and Chrome/Orange.

Wire Floor Lamp in chrome and white, 1200 mm tall, standing beside seating in a living room
The Wire Floor Lamp brings height to a corner while staying almost transparent.

Colour, and the cordless Wire Ø18

Panton used colour as structure rather than finish, and the Wire lamps follow that logic. Chrome/White is the restrained reading of the design: the frame does the drawing and the shade stays neutral, which suits a room where the walls and textiles already carry the interest. Chrome/Orange, Chrome/Red and Chrome/Yellow turn the lamp into a point of saturated colour that holds a corner on its own, and they look most convincing where the surrounding palette is plain enough to let a single strong note sound.

The fourth family member works differently. The Wire Ø18 Portable Lamp measures Ø18 cm and stands 25 cm high, built from chrome-plated stainless-steel wire with an opal plastic shade and diffuser, and it runs on a built-in rechargeable LED. That frees it from the socket: it moves from the dining table to a windowsill to a bedside as the evening goes on, in white, yellow, orange or red. If a cordless piece is what you are after, our guide to the best portable designer lamps puts it alongside the other cordless classics.

Wire Ø18 Portable Lamp by VERPAN lit on a table in an interior, small wire cage under a domed shade
The cordless Wire Ø18 keeps the cage and the dome at 25 cm high.

A short way to decide. Bedside or desk, and you want colour options: the Wire Table Lamp. A console or sideboard that deserves one strong object: the Ø40. A corner with a chair and no spare surface: the Wire Floor Lamp. Something to carry around the flat after dark: the Ø18 Portable. All four are built by VERPAN in cooperation with the Panton estate, and you can see them beside the VP Globe pendants, the Pantop lamps and the furniture in the full VERPAN collection.