Rumee 220 Portable Lamp by Gabriel Tan: Where It Works Best
Gabriel Tan's Rumee 220 for Louis Poulsen: its hat-brim shade, materials and size, and how it compares with Tomoshi and PH 2/1 at table, balcony and bedside.
Finnish prints since 1951: Unikko, Räsymatto and Tiiliskivi on textiles and tableware.
Sculpted lamps, tactile rugs and quiet objects for autumn, designed in Copenhagen.
Poul Henningsen’s 1931 piano lamp returns as a 2026 limited edition in aged brass and dusty terracotta glass
Marimekko
Marimekko
ferm LIVING
Louis Poulsen
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Maija Isola drew the Unikko poppy in 1964. Today it blooms on bedding, cushions, throws, mugs and fabric by the metre.
Sculpted lamps, tactile rugs and quiet objects: the ferm LIVING autumn/winter 2026 collection, designed in Copenhagen.
Louis Poulsen
Marimekko
Louis Poulsen
Holmegaard
Marimekko
ferm LIVING
Marimekko
Poul Henningsen's layered shades give soft, glare-free light. See the PH 5, the PH 80 and the 2026 Centenary editions.
Hans-Christian Bauer's fluted ceramics, inspired by the painter Vilhelm Hammershøi, from vases to the dinner table.
Kay Bojesen's hand-finished wooden figures, the Monkey and friends, have made Danish homes smile since 1951.
From Cabernet stemware to Minima carafes and Design with Light lanterns, Holmegaard glass for every table and window.
Drawn in 1936 with its signature rings, the Lyngby vase returns in white and coloured porcelain and mouth-blown glass.
Gabriel Tan's Rumee 220 for Louis Poulsen: its hat-brim shade, materials and size, and how it compares with Tomoshi and PH 2/1 at table, balcony and bedside.
How Finn Juhl's FJ Elements lamps for Louis Poulsen are built from separate shades and stems, and how the pendant and table lamp work together in one room.
Vilhelm Wohlert's 1959 opal glass pendant: how the globe and steel collar work, which of three sizes to hang where, and how it compares with the Toldbod.
