The Veli Table is a small Slamp lamp built from layered, veil-like discs of Opalflex. This piece looks at how those layers are made and assembled, what 22 cm of height and 0.6 kg of weight mean on a real shelf or sideboard, and where the lamp does its best work.

A lampshade that behaves like fabric
Veli is Italian for veils, and the name is a fair description of what Adriano Rachele designed. The shade is not one moulded shell but a stack of thin, curved discs, each one pleated and overlapping the next, so the whole thing reads like a folded length of cloth caught just as it settles. Slamp describes the inspiration as the art of folds and pleats, and the lamp keeps that logic right through: every layer is visible, and the light passes through several of them before it reaches the room.
That layering is what separates the Veli from a plain opal globe. Where a single diffuser gives an even glow across its surface, the Veli's overlapping discs create bands of brighter and softer light. The edges of each petal glow more strongly than the doubled-up areas behind them, so the lamp has a visible structure even when it is switched on. By day, unlit, it reads as a small piece of soft sculpture. After dark it becomes a pale, luminous cluster with the pleats drawn in light.
Slamp is a Roman company, founded in 1994 by Roberto Ziliani, and its catalogue has always leaned towards this theatrical, tactile side of lighting rather than the strict optical geometry of the Scandinavian classics. The Veli family is one of its signature series, and the table version is the most compact way into it.
Opalflex and Slamp's technopolymers, in plain terms
Almost every Slamp lamp is made from one of the company's own technopolymers, sold under names such as Opalflex, Lentiflex and Cristalflex. Stripped of the trade names, a technopolymer is an engineered plastic: in Slamp's case a thin, flexible sheet that can be cut flat, bent, folded and fixed into shape, then left to hold that shape for years. It takes the place that glass or fabric would occupy in a more traditional lamp.
The different names describe different finishes. Opalflex, used for the Veli Table, is the opaline one: a milky, pearly sheet that diffuses light rather than letting it pass straight through, which is why the Veli glows rather than sparkles. The surface also picks up a little of the colour around it, so a white Veli on a dark wooden sideboard looks warmer than the same lamp against a white wall. Cristalflex, as the name suggests, is the clearer, more crystal-like material, and Lentiflex is another of the company's finishes.
What matters for living with the lamp is simple. The material is light, it is flexible rather than brittle, and it lets Slamp build shapes out of many thin layers that would be heavy and fragile in glass. The Veli's discs are cut and folded by hand in Slamp's workshop outside Rome, and the lamp is assembled with a magnetic system that makes setting it up straightforward. Because the pleats are shaped by hand, the drape varies subtly from one lamp to the next.

Size, weight and what 0.6 kg means on a shelf
The Veli Table measures 32 x 32 x h. 22 cm and weighs 0.6 kg net (1.2 kg gross, packed). Those two figures shape how the lamp behaves more than any other detail.
- Low and wide. At 22 cm high on a 32 cm footprint, the Veli is wider than it is tall. It sits low, so it does not block a picture or mirror hung above a sideboard, and it slides under wall shelves where a taller lamp would not fit.
- Very light. At 0.6 kg the lamp has little weight to hold it in place. A cable pulled from behind, a curtain brushing past or a cat on a bookshelf can shift it more easily than a heavier lamp with a stone or metal base. Set it back from the edge, and route the cable so it hangs straight down rather than across the lamp's path.
- Easy to move. The same lightness means it is easy to lift off a shelf to dust, or to try in three places before settling on one.
- Needs space around it. The 32 cm width includes the outer petals, which are the lamp's best feature. Crowd them with books or frames and the silhouette disappears.
Because the light is diffused through layered Opalflex rather than directed downwards, the Veli is a decorative, ambient lamp. It is not the right choice for reading in bed or working at a desk, where a focused beam does the job better.
Colours and placement
The Veli Table comes in four colours: Foliage, Couture, White and Black. White is the most neutral and shows the layered structure most clearly when lit. Black turns the lamp into a stronger graphic object by day, with the pleats showing as a darker silhouette. Foliage and Couture are the more decorative options, suited to rooms where the lamp is meant to be noticed.

Good places for it follow from its size and light:
- A sideboard or console in a living room or hallway, where a low, soft light adds a second layer beneath the ceiling light.
- A bookshelf or open shelving unit, with enough clearance on each side for the petals.
- A bedside table, if you want a gentle glow rather than a reading light.
- A windowsill, where the lamp is seen from outside in the evening as well as from within.
How it compares with Clizia and Fiorellina
Slamp makes several small table lamps built on the same idea of many light, hand-assembled parts. Two are worth setting beside the Veli. The Clizia Table, also by Adriano Rachele, is built from dozens of small modules that recall a cloud or treetop and throw dappled shadows on the wall. The Fiorellina Table is by Nigel Coates, the London architect and designer, and arranges reflective petals into a flower shape.
| Veli Table | Clizia Table | Fiorellina Table | |
|---|---|---|---|
| Designer | Adriano Rachele | Adriano Rachele | Nigel Coates |
| Size | 32 x 32 x h. 22 cm | 27 x 27 x h. 25 cm | Ø 33 x h. 34 cm |
| Net weight | 0.6 kg | 0.63 kg | 1 kg |
| Material | Opalflex | Lentiflex, Cristalflex | Opalflex |
| Character of light | Soft, diffused glow through layered pleats | Filtered light with reflections and shadows | Petals that catch and scatter the light |
| Best for | Low sideboards, shelves under wall units | Walls you want patterned with shadow | A taller focal piece on a bedside or sill |
The Veli is the lowest and widest of the three, and the calmest in its light. Clizia is narrower and slightly taller, with a busier surface that throws more pattern onto nearby walls; if you are weighing it up, our look at Clizia Table vs Clizia Battery covers the corded and cordless versions. Fiorellina is the tallest at 34 cm and, at 1 kg, noticeably steadier on a shelf.

Choosing the Veli Table
Choose the Veli if you want a low, wide lamp that gives a soft ambient glow and reads as a piece of sculpture when it is off. Its height suits sideboards and shelves where space above is limited, and its weight makes it easy to move around the house. The same lightness is the one thing to plan for: give it a stable spot away from the edge and keep the cable tidy. For a stronger shadow pattern, look at Clizia; for more height and presence, Fiorellina. To see these alongside designs from Louis Poulsen, TECNOLUMEN and others, browse the full Table Lamps collection.
